Lynda Nead

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Overview
Overview
This member of staff is currently on sabbatical.
Biography
Lynda Nead joined the Department of History of Art at Birkbeck in 1986 and was appointed to the Pevsner Chair of History of Art in 2004. Before coming to Birkbeck, she taught History of Art at the University of Leicester and the University of Kent. Lynda has also been a Visiting Professor at Gresham College, London and Moore Distinguished Professor, Division of the Humanities and Social Sciences, California Institute of Technology.
She is actively involved in the work of museums and galleries: Member of the Museum of London Academic Advisory Board; Member of the English Heritage Blue Plaques Panel; Member of the Modern and Contemporary Advisory Committee, National Gallery London. She was also a Trustee of the Victoria & Albert Museum and is currently a Trustee of the Holburne Museum in Bath and of Campaign for the Arts, a charitable organisation that works to defend and expand access to the arts and culture.
She was elected a Member of the Academia Europaea in 2013 (MAE); a Fellow of the Royal Historical Society in 2017 (FRHistS); and a Fellow of the British Academy in 2018 (FBA).
She has been the Director of Postgraduate Studies for History of Art and is responsible for all elements of the curriculum for postgraduate research students. She is also on the Steering Group of the Birkbeck Institute of the Moving Image (BIMI). Lynda was co-founder with Patrizia di Bello of the History and Theory of Photography Research Centre at Birkbeck.
Her research has explored a wide range of issues relating to the history of British art and culture. She has been awarded funding by the Leverhulme Trust and the Paul Mellon Centre for Studies in British Art. She has also worked as a curator on the 2016 exhibition, 'The Fallen Woman', which was held at the Foundling Museum, London, 2016-17. Her current research project is called 'British Blonde: Women, Desire and the Image in Post-War Britain.'
Highlights
Lynda will be a Visiting Professor at the Bard Graduate Center, New York in May 2024.
Listen to Lynda on 'Being Blonde' on Free Thinking BBC Radio 3, 12th October 2023
https://www.bbc.co.uk/programmes/m001r26j
Lynda Nead has been awarded a Leverhulme Research Fellowship from January - December 2023.
Lynda Nead is giving the Paul Mellon lectures at the Victoria & Albert Museum on Wednesday evenings at 6.30 from October 18th to November 15th. The theme of the series is 'British Blonde: Women, Desire and the Image in Post-War Britain.'
https://www.paul-mellon-centre.ac.uk/whats-on/forthcoming/paul-mellon-lectures-2023/event-group
Listen to Lynda on 'Victorian Streets' on Free Thinking BBC Radio 3, 9 June 2022
https://www.bbc.co.uk/programmes/m0017v2s
Lynda Nead has been made a Fellow of the Association for Art History; an award introduced in 2020 to recognise significant contributions to the field of art history.
https://forarthistory.org.uk/latest-news/2022-association-for-art-history-fellows/
Qualifications
- BA Hons Fine Art (1st Class), University of Leeds, 1979
- PhD 'Representation and Regulation: Women and Sexuality in English Art, c.1840-1870.', University College London, 1986
Administrative responsibilities
- Director of Postgraduate Studies, Department of History of Art
- School of Arts Representative Birkbeck Institute of the Moving Image (BIMI) Steering Group
Visiting posts
- Moore Distinguished Professor, Division of the Humanities, Caltech, 04-2017 to 06-2017
- Visiting Professor, Bard Graduate Center, 04-2024 to 06-2024
- Visiting Professor of History of Art, Gresham College, London, 01-2013 to 09-2014
Professional activities
Member of the Council of Tate Britain (1999; renewed 2002-06)
Member of the Research Committee, Tate Galleries (2000-03)
Member of Museum of London Academic Panel (2002-08 and 2016- )
Member of Paul Mellon Centre for British Art Advisory Council (2003-07 and 2017- )
Member of the Leverhulme Trust Research Awards Advisory Committee (2005-12)
Member of Exhibitions Group, Foundling Museum, London (2011- )
Member of National Portrait Gallery Research Advisory Committee (2012-16)
Elected Member of Association Internationale des Critiques d'Art (2013)
Elected Member of the Academia Europaea (MAE, 2014); Member of Steering Committee for Musicology and Visual Arts Section
Appointed Member of English Heritage Blue Plaques Panel (2015-20)
Member of the Art and Design Subject Assessment Panel for the Research Assessment Exercise (REF) (2021-2)
Appointed Trustee of the Victoria & Albert Museum (2016-20, renewed 2020)
Elected Fellow of Royal Historical Society (MRHistS, 2017)
Elected Fellow of British Academy (FBA, 2018)
Member of the Modern and Contemporary Advisory Committee, National Gallery London (2019 - )
Member of Leverhulme Trust Philip Leverhulme Prize Panel (2020, 2023)
Elected Fellow of the Association for Art History (2022)
Honours and awards
- Member of the Academia Europaea, Academia Europaea, November 2014
- Fellow of the Royal Historical Society, Royal Historical Society, November 2017
- Fellow of the British Academy, British Academy, November 2018
- Fellow of the Association for Art History, Association for Art History, March 2022
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Research
Research
Research interests
- Gender and the City
- Art and Law
- The Visual Culture of Sport
- Post-War British Art and Culture
- Victorian Art and Culture
Research overview
Lynda Nead's research has explored a wide range of issues relating to gender, the city, the body, art and culture. It is interdisciplinary and draws on a wide range of visual culture including paintings, prints, photography and film. She has published books on Victorian visual culture; the history and theory of the female nude; contemporary art; optical technologies c. 1900 and post-war British art and culture.
Her current project is a book called 'British Blonde: Women, Desire and the Image in Post-War Britain' and takes the lives and work of four women as prompts for a broader examination of gender, sexuality and commodification in the period. The case-studies are: Diana Dors; Ruth Ellis; Barbara Windsor; and Pauline Boty.
Lynda's next book project is for the BFI Classics series and is a study of It Always Rains on Sunday (UK, 1947; dir. Robert Hamer).
Research Centres and Institutes
- Co-founder and member, History and Theory of Photography Research Centre
- Steering Group Member, Birkbeck Institute of the Moving Image (BIMI)
- Steering Group Member, Birkbeck Institute for the Humanities
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Supervision and teaching
Supervision and teaching
This member of staff is currently on sabbatical.
Supervision
I welcome inquiries from prospective PhD students who are interested in undertaking research in any of my areas of research interest.
Current doctoral researchers
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JOANNE COTTRELL
Doctoral alumni since 2013-14
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MELISSA BURON
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TIFFANY BOYLE
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ALISTAIR CARTWRIGHT
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SALLY BEAZLEY-LONG
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SHIJIA YU
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JENNIFER VAN SCHOOR
Teaching
I teach on the following BA History of Art modules:
Research Projects and Dissertations
Art and Society in the Nineteenth Century
I currently teach on the following MA History of Art modules:
Gender, Modernity and the City
Inventing the Victorians
Frameworks
I currently run the following MPhil/PhD modules:
Research Skills
Writing the Image/Object/Space
Reading Group
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Publications
Publications
Article
- Nead, Lynda (2023) Victorian beauty: 1945-1955. 19: Interdisciplinary Studies in the Long Nineteenth Century 34, ISSN 1755-1560.
- Nead, Lynda (2022) A bruise, a neck and a little finger: the visual archive of Ruth Ellis. Radical History Review 142, pp. 57-71. ISSN 0163-6545.
- Nead, Lynda (2021) Ruth Ellis's suit. British Art Studies 21, ISSN 2058-5462.
- Nead, Lynda and Wyver, J. (2019) Bert Hardy: exercises with photography and film. British Art Studies ISSN 2058 - 5462.
- Nead, Lynda (2017) ‘As Snug as a Bug in a Rug’: post-war housing, homes and coal fires. Science Museum Group Journal 2018 (9), ISSN 2054-5770.
- Nead, Lynda (2016) “Red Taffeta Under Tweed”: the color of post-war clothes. Fashion Theory 21 (4), pp. 365-389. ISSN 1362-704X.
- Nead, Lynda (2016) Victorian sexualities and after. History Workshop Journal 82 (1), pp. 173-176. ISSN 1363-3554.
- Nead, Lynda (2016) Fallen women and foundlings: rethinking Victorian sexuality. History Workshop Journal 82 (1), pp. 177-187. ISSN 1363-3554.
- Nead, Lynda (2015) Art and prostitution. Apollo pp. 77-80. ISSN 0003-6536.
- Nead, Lynda (2014) Screening genius. Apollo ISSN 0003-6536.
- Nead, Lynda (2014) "The Secret of England's Greatness". Journal of Victorian Culture 19 (2), pp. 161-182. ISSN 1355-5502.
- Nead, Lynda (2013) The Cutman: boxing, the male body and the wound. Sports, Ethics and Philosophy 7 (4), pp. 368-378. ISSN 1751-1321.
- Nead, Lynda (2013) The layering of pleasure: women, fashionable dress and visual culture in the mid-nineteenth century. Nineteenth-Century Contexts 35 (5), pp. 489-509. ISSN 0890-5495.
- Nead, Lynda (2011) Stilling the punch: boxing, violence and the photographic image. Journal of Visual Culture 10 (3), pp. 305-323. ISSN 1470-4129.
- Nead, Lynda (2010) The history in pictures. Cultural and Social History 7 (4), pp. 485-492. ISSN 1478-0038.
- Nead, Lynda (2008) Response: the art of making faces. Textual Practice 22 (1), pp. 133-143. ISSN 0950-236X.
- Coombes, Annie E. and Nead, Lynda (1989) No more grand master narratives. Art Monthly (123), pp. 15-17. ISSN 0142-6702.
Book
- Nead, Lynda (2017) The Tiger in the smoke: art and culture in Post-War Britain. Yale University Press. ISBN 9780300214604.
- Nead, Lynda (2007) The Haunted Gallery: Painting, Photography and Film c. 1900. New Haven, U.S.: Yale University Press. ISBN 9780300112917.
- Nead, Lynda (2004) Material serendipity: Chila Kumari Burman. Plymouth, UK: Plymouth Arts Centre.
- Nead, Lynda (2000) Victorian Babylon: people, streets and images in Nineteenth-Century London. London, UK and New Haven, U.S.: Yale University Press. ISBN 9780300085051.
- Douzinas, Costas and Nead, Lynda, eds. (1999) Law and the image: the authority of art and the aesthetics of law. Chicago, USA: University of Chicago Press. ISBN 9780226569543.
- Nead, Lynda and Mort, Frank, eds. (1999) Sexual Geographies. New Formations. 37, London, UK: Lawrence Wishart. ISBN 9780853158967.
- Nead, Lynda (1995) Between two cultures: the work of Chila Kumari Burman. London, UK: Arts Council and Kala Press. ISBN 9780947753078.
- Nead, Lynda and Marcus, L., eds. (1993) The actuality of Walter Benjamin. New Formations. 20, London, UK: Lawrence Wishart. ISBN 9780853158639.
- Nead, Lynda (1992) The female nude: art, obscenity and sexuality. London and New York: Routledge. ISBN 9780415026789.
- Nead, Lynda (1988) Myths of sexuality: representations of women in Victorian Britain. Oxford, UK: Basil Blackwell. ISBN 9780631172574.
Book Review
- Nead, Lynda (2018) Dressing for Austerity: aspiration, leisure and fashion in postwar Britain.
Book Section
- Nead, Lynda (2020) The grain of history: photojournalism in post-war Britain (Essay in exhibition catalogue). In: Droth, M. and Messier, P. (eds.) Henry Moore / Bill Brandt. New Haven, U.S.: Yale Center for British Art. ISBN 9780300251050.
- Nead, Lynda (2012) Many little harmless and interesting adventures...: Gender and the Victorian City. In: Hewitt, M. (ed.) The Victorian World. Routledge Worlds. Abingdon, UK: Routledge. ISBN 9780415712989.
- Nead, Lynda (2012) National Style versus modernity: reconciling contradictions in Finnish Architecture around 1900. In: Quek, R. and Deane, D. (eds.) Nationalism and Architecture. Farnham, Surrey, UK: Ashgate Publishing. ISBN 9781409433859.
- Nead, Lynda (2012) The artist's studio: the affair of art and film. In: Dalle Vache, A. (ed.) Film, Art, New Media: Museum Without Walls?. Basingstoke, UK: Palgrave Macmillan. pp. 23-38. ISBN 9781137026101.
- Nead, Lynda (2010) The age of the "hurrygraph": motion, space, and the visual image, ca. 1900. In: O'Neill, M. and Hatt, M. (eds.) The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910. Studies in British Art. Yale, U.S.: Yale University Press. pp. 99-113. ISBN 9780300163353.
- Douzinas, Costas and Nead, Lynda (1999) Introduction. In: Douzinas, Costas and Nead, Lynda (eds.) Law and the Image: The Authority of Art and the Aesthetics of Law. Chicago, USA: University of Chicago Press. ISBN 9780226569543.
- Douzinas, Costas and Nead, Lynda (1999) Prosopon and antiprosopon: prolegomena for a legal iconology. In: Douzinas, Costas and Nead, Lynda (eds.) Law and the Image: The Authority of Art and the Aesthetics of Law. Chicago, USA: University of Chicago Press. ISBN 9780226569543.
- Haldar, Piyel (1999) The function of the ornament in Quintilian, Alberti and court architecture. In: Douzinas, Costas and Nead, Lynda (eds.) Law and the Image: The Authority of Art and the Aesthetics of Law. Chicago, USA: University of Chicago Press. ISBN 9780226569543.
Exhibition
- Nead, Lynda Davis, R. and Taras, D., eds. (2016) The fallen woman.
Other
- Nead, Lynda (2007) Marc Quinn: The matter of art. Montreal, Canada: Montreal Museum of Modern Art.
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Business and community
Business and community
Media
I am happy to receive enquiries from the media on the following topics:
- Reviews of exhibitions and displays
- Reviews of films
- Gender and culture
Outreach
I have a number of governance and research roles in major museums and galleries.
I am a regular contributor and reviewer on BBC radio and have appeared in arts and social history documentaries on BBC television and Sky Arts.
2013-14 - Visiting Professor of History of Art, Gresham College, London. Lecture Series: 'Women in Red and Men in Black: Art and Fashion in the Nineteenth Century.'
2016 - 'Rethinking the Victorians.' Public lecture series, Plymouth University.
2016 - 'Woman in a Dressing Gown: Women and Domesticity in Post-War Britain.' The Derek Jarman Annual Lecture, University of Kent.
2016 - 'Once More the Fallen Woman.' Thyssen-Bornemisza Museum, Madrid.
2018 - 'Greyscale and Colour: The Hues of Nation and Empire in Post-War Britain', Victoria & Albert Museum.
2018 - 'The Question of Colour in Post-War Art and Design', Henry Moore Institute, Leeds.
2020 - 'Art and Action: Lynda Nead in Conversation with Chila Kumari Singh Burman', Watts Gallery. (Online)
2021-2 Advisor on 'Postwar Modern' exhibition at the Barbican Art Gallery, London.