Our research students
| Student name | Student programme | Supervisor(s) | Project |
| Russell Banfield | Film and Screen Media | Professor Catherine Grant | A Mediated Memory: Remaking The Big Sleep |
| Matthew Barrington | Film and Screen Media | Dr Michael Temple | Slow Cinema: Towards a Cinematic Endpoint. |
| Hannah Barton | Film and Screen Media | Dr Joel McKim | Understanding Internet memes as discourse strategies within a networked culture. |
| Dale Crosby | Film and Screen Media | War of the Words: Adaptation as Intertextual Melee. | |
| Ricardo de Matos Cabo | Film and Screen Media | The anti-lecture on film: history, pedagogy and performance. | |
| Ricardo Domizio | Film and Screen Media | Towards a Deleuzian theory of Digital Cinema | |
| Chris Groenveld-Walker | Film and Screen Media | Memory Through Landscape: an exploration of the ‘spatial turn’ in Holocaust mediation. | |
| Clare Havell | Film and Screen Media | Identity, Anonymity and the Stigmatised Subject | |
| Noel Hess | Film and Screen Media | Exploring the seeds of New Hollywood in the ‘American art film’ of the 1960’s. | |
| Olivia Hinkin | Film and Screen Media | Changing Methods of Anime Distribution within Convergence Culture. | |
| Yi-Wen (Muriel) Huang | Arts Management | Dr Hye-Kyung Lee (Kings) | City Regeneration- Dynamic Between Political Strategy and the Arts. |
| Sara Linden | Film and Screen Media | Fashionable women at work - Displays of power and glamour in Hollywood fashion movies | |
| Katherine Mitchell | Film and Screen Media | Collecting Born Digital Images in the Contemporary Museum. | |
| Sarah Molyneaux | Film and Screen Media | Gender performances in UK food blogs and vlogs. | |
| Raquel Morais | Film and Screen Media | Exhibiting an Interdisciplinary Archive: Curatorial practice as reactivating the film archive, with a case study of Margarida Cordeiro and António Reis. | |
| Henry Mulhall | Arts Management | Publics and Communities | |
| Emmanuel Ohajah | Film and Screen Media | Nigerian Internet Crime: An Online Moral Panic? | |
| Lawrence Reavill | Arts Management | A study of the relationships and influence distribution between funder’s objectives and the artistic objectives of major UK dance companies in periods of increasing financial stringency. | |
| Selina Robertson | Film and Screen Media | Remembering through creative practice London’s grassroots lesbian and feminist programming histories from 1979-1990. | |
| Edel Robinson | Film and Screen Media | Irish Missionary Films 1930-1993. The Apostolate of the Cinema. How did Catholic Media Organisation and Principles Converge with the Overlooked Non-Theatrical Film Movements of the 20th Century? | |
| Emily Rustin | Film and Screen Media | What positive benefits does YouTube offer to children? | |
| Giancarlo Morales Sandoval | Film and Screen Media | Entrepreneurship from below: the strategic hybridity of the maker movement in Lima. | |
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| Elena Shampanova | Arts Management | Entrepreneurship in the Arts. | |
| Naomi Smith | Film and Screen Media | Rethinking Broadcast News Values. | |
| Ruth Solomons | Arts Management | How artists work. Sustainability, self-subsidy and risk management among post economic crash UK artists. | |
| Aaron Vansintjan | Film and Screen Media | Counting money, displacing life: How gentrification erodes food spaces for low-income and minority residents in the global North and South.' | |
Haotang (Sylvia) Wang | Arts Management | Orchestra Governance; how this is influenced by cultural policy in UK and China. | |
Alan Warburton | Film and Screen Media | The Art of Simulation: Experimental CGI and the Use of Commercial Software. | |
| Anna Warchalowska | Film and Screen Media | Heritage World Cinema. Archival and memory-oriented films programmed at film festivals. | |
| Kelli Weston | Film and Screen Media | Representations of Women of Colour as the Double in the Female Gothic. |