Dr Fintan Walsh

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Overview
Overview
Biography
Fintan is Programme Director of MA Text and Performance (with RADA), and has served as Programme Director of BA Theatre and Drama Studies. He is Co-Director of Birkbeck Centre for Contemporary Theatre, Director of BiGS (Birkbeck Gender and Sexuality), and is School of Arts Research Ethics Chair and College Representative.
Prior to joining Birkbeck in 2012, Fintan worked at Queen Mary University of London (2011-12) and at Trinity College Dublin, where he was Irish Research Council Post-Doctoral Research Fellow (2009-2011), Coordinator of the MPhil Theatre and Performance (2010-2011), and associate lecturer (2004-2011).
Fintan has been a visiting lecturer/researcher at Freie Universität Berlin (2014/16), Humanities Institute, University College Dublin (2014), and Helsinki University (2015).
His research primarily focuses on contemporary theatre and performance, and involves national and international collaborations with artists and academics.
Qualifications
- MPhil, PhD, Trinity College Dublin, 2007
- Fellow, HEA, 2012
Administrative responsibilities
- Director, MA Text and Performance (with RADA)
- Co-Director, Birkbeck Centre for Contemporary Theatre
- Director, BiGS (Birkbeck Gender and Sexuality)
- School of Arts Research Ethics Chair
- Advisory Board, Birkbeck Institute for Social Research (BISR)
Professional activities
Fintan has examined PhDs at institutions such as Royal Central School of Speech and Drama, Trinity College Dublin, University of East Anglia and University of Helsinki, and served as external examiner of programmes as University of Roehampton, University of Reading, and University College Dublin, and validated degrees nationally and internationally.
In the past Fintan has worked as a script reader in the Literary Department of the Abbey Theatre, Dublin, and collaborated in script development, dramaturgy, and criticism projects with a number of theatre companies and organisations including Dublin Fringe Festival and Dublin Theatre Festival. For over a decade he contributed reviews, feature articles and interviews for Irish Theatre Magazine, including as staff writer, and is a Member of Project Arts Centre, Dublin.
Fintan is on the editorial board of the journal Imagined Theatres. He was an editorial board member (2012-2015) and Associate Editor of the journal Theatre Research International (2015-2018), and is currently its Senior Editor.
Fintan frequently peer reviews articles and books for all the major publications and publishers in his field and cognate disciplines.
Professional memberships
Fintan is or has been a member of Irish Society for Theatre Research (ISTR), Performance Studies International (PSI), The Theatre and Performance Research Association (TaPRA), and the International Federation for Theatre Research (IFTR), and currently serves on its Executive Committee. He has assessed funding applications nationally and internationally, and is as a member of AHRC Peer Review College.
He is a founding member (2009) and former co-convenor (2009-2014) of IFTR's Queer Futures working group (2009), and co-edited the group's first collection of writings in Theatre Research International (2015).
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Research
Research
Research overview
Fintan primarily researches contemporary theatre and performance. To date his work has focused on three sometimes related fields of inquiry: 1) queer theatre, performance and cultural politics; 2) the practices and politics of emotional and affective experience in theatre, including structures and experiences of intimacy and trauma, dissent and disorientation, generosity and grief; 3) medical humanities and psychosocial issues. A concern for the representational strategies of bodies, subjects and communities under inordinate threat or distress unites this research, leading to monographs that examine masculinity and ideas of 'crisis' (Male Trouble: Masculinity and the Performance of Crisis); the relationship among psychoanalysis, therapy culture and performance (Theatre & Therapy); and theatre and social and political change (Queer Performance and Contemporary Ireland: Dissent and Disorientation, shortlisted for the David Bradby Research Award, 2016).
These concerns are also represented across numerous journal articles, book chapters and edited volumes. Recent publications include 'Pugilistic Queer Performance: Working Through and Working Out' (GLQ), and writing on contagion and theatre, supported by ISSF/Wellcome funding, including the chapter 'Pathogenic Performativity: Theatrical Contagion and Fascist Affect' (in The Cambridge Companion to Theatre and Science, ed. Kirsten E. Shepherd Barr) and the collection Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Fintan's research has addressed diverse forms including drama, theatre, live art, protest, pageants, film and music, and involves collaboration with theatre makers and artists, in particular via Birkbeck Centre for Contemporary Theatre, of which he is a Co-Director.
Fintan's research has been supported by awards from bodies including ISSF/Wellcome Trust, CHASE, the Irish Research Council and Trinity College Dublin.
Research Centres and Institutes
- Director, Birkbeck Institute for Gender and Sexuality Studies
- Co-Director, Birkbeck Centre for Contemporary Theatre
- Member, Centre for Medical Humanities
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Supervision and teaching
Supervision and teaching
Supervision
Fintan welcomes inquiries from prospective PhD students (including practice-led projects) interested in researching within his field or related areas, in particular topics relating to:
- modern and contemporary drama, theatre and performance;
- identity and cultural politics;
- queer theatre, performance and art practices;
- psychosocial phenomena and medical humanities;
- Irish drama, theatre and performance.
Recently or currently supervised PhD projects investigate ecology and performance, Sarah Kane and psychoanalysis, mental illness and contemporary theatre, neurodiversity and performance, and documentary theatre and migration.
Fintan established GRiT (Graduate Research in Theatre) in 2014, to foster and support graduate research in drama, theatre and performance studies. Forthcoming and past events can be found here.
Teaching
Fintan teaches across MA Text and Performance, BA Theatre and Drama/Theatre and English, and MA Dramaturgy.
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Publications
Publications
Article
- Walsh, Fintan (2020) ReWild(e)ing Queer performance. Contemporary Theatre Review ISSN 1048-6801. (In Press)
- Walsh, Fintan (2020) Pugilistic queer performance: working through and working out. GLQ: A Journal of Lesbian and Gay Studies 26 (4), pp. 701-722. ISSN 1064-2684.
- Campbell, A. and Walsh, Fintan (2015) Contemporary Queer theatre and performance research: a forum by the Queer Futures Working Group. Introduction. Theatre Research International 40 (1), pp. 67-108. ISSN 0307-8833.
- Walsh, Fintan (2015) Cyberactivism and the emergence of #TeamPanti. Theatre Research International 40 (1), pp. 104-107. ISSN 0307-8833.
- Walsh, Fintan (2015) World factory: the politics of conversation. Contemporary Theatre Review ISSN 1048-6801.
- Walsh, Fintan (2014) Touching, flirting, whispering: performing intimacy in public. TDR: the Drama Review 58 (4), pp. 56-67. ISSN 1054-2043.
- Walsh, Fintan (2013) Saving Ulster from sodomy and hysteria: sexual and political performance in Northern Ireland. Contemporary Theatre Review 23 (3), pp. 291-301. ISSN 1048-6801.
- Walsh, Fintan (2011) From enthusiasm to encounter-event: Bracha L. Ettinger, Samuel Beckett and the theatre of affect. Parallax 17 (2), pp. 110-123. ISSN 1353-4645.
- Walsh, Fintan (2010) Big love: relationality, ethics and the art of letting go. Theatre Research International 35 (1), pp. 17-31. ISSN 0307-8833.
- Walsh, Fintan (2010) Child's play: making theatre for young audiences. Irish Theatre Magazine
- Walsh, Fintan (2010) Critical disorientations: intoxication, engagement and performance. Contemporary Theatre Review 20 (2), pp. 241-244. ISSN 1048-6801.
- Walsh, Fintan (2010) Documentary theatre: beyond information. Irish Theatre Magazine
- Walsh, Fintan (2010) Permission to take risks. Irish Theatre Magazine
- Walsh, Fintan (2009) Cock tales: homosexuality, trauma and the cosmopolitan queer. Film Ireland (120), pp. 16-18. ISSN 0791-7546.
- Walsh, Fintan (2009) Between deaths: screening Jade Goody. Contemporary Theatre Review 19 (3), pp. 382-385. ISSN 1048-6801.
- Walsh, Fintan (2009) Redressing the past, cross-dressing the future. Foilsiú: Interdisciplinary Journal of Irish Studies 8, pp. 79-92.
- Walsh, Fintan (2008) Shirley Temple Bar at the Abbey: Irish theatre, queer performance and the politics of disidentification. Irish Theatre International 1 (1), pp. 53-72. ISSN 2009-0870.
- Walsh, Fintan (2007) Anything but mainstream. Irish Theatre Magazine 7 (31),
- Walsh, Fintan (2007) The erotics and politics of masochistic self-abjection in 'Jackass'. Gender Forum 18, pp. 41-62. ISSN 1613-1878.
- Walsh, Fintan (2006) The politics of desire: The International Dublin Gay Theatre Festival. Irish Theatre Magazine 6 (27),
- Walsh, Fintan (2005) "About time" and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.
- Walsh, Fintan (2005) For whom the bell tolls? Contemporary British performance and Irish theatre. Irish Theatre Magazine 5 (22),
- Walsh, Fintan (2004) Fringe frontiers: goes social. Irish Theatre Magazine 4 (21),
Book
- Walsh, Fintan, ed. (2019) Theatres of contagion: transmitting early modern to contemporary performance. Methuen Drama Engage. London, UK: Methuen Drama. ISBN 9781350085985. (In Press)
- Walsh, Fintan (2016) Queer performance and contemporary Ireland: dissent and disorientation. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan. ISBN 9781137534491. (In Press)
- Walsh, Fintan and Causey, M., eds. (2013) Performance, identity and the neo-political subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge. ISBN 9780415509657.
- Walsh, Fintan, ed. (2013) 'That was us': contemporary Irish theatre and performance. London, UK: Oberon Books. ISBN 9781783190355.
- Walsh, Fintan (2012) Theatre and therapy. Theatre And. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230293274.
- Walsh, Fintan (2010) Male trouble: masculinity and the performance of crisis. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230579699.
- Walsh, Fintan, ed. (2010) Queer notions: new plays and performances from Ireland. Cork, Ireland: Cork University Press. ISBN 9781859184691.
- Brady, S. and Walsh, Fintan, eds. (2009) Crossroads: performance studies and Irish culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230219984.
Book Review
- Walsh, Fintan (2019) The Oxford Handbook of Modern Irish Theatre.
- Walsh, Fintan (2015) Masculinity and Irish Popular Culture: Tiger’s Tales.
- Walsh, Fintan (2013) Performance in the Blockades of Neoliberalism: Thinking the Political Anew.
- Walsh, Fintan (2011) No more drama.
- Walsh, Fintan (2011) Contesting Performance: Global Sites of Research.
- Walsh, Fintan (2011) Post/Porn/Politics.
- Walsh, Fintan (2010) Theatre & Ethics.
- Walsh, Fintan (2010) Theatre and Globalization: Irish Drama in the Celtic Tiger Era.
- Walsh, Fintan (2009) Masculinity, psychoanalysis, straight queer theory: Essays on abjection in literature, mass culture, and film.
- Walsh, Fintan (2009) Get real: documentary theatre past and present.
- Walsh, Fintan (2009) Violence Performed: Local Roots and Global Routes of Conflict.
Book Section
- Walsh, Fintan (2020) Pathogenic performativity: theatrical contagion and Fascist affect. In: Shepherd-Barr, K. (ed.) The Cambridge Companion to Theatre and Science. Cambridge Companions to Theatre and Performance. Cambridge, UK: Cambridge University Press. ISBN 9781108676533.
- Walsh, Fintan (2019) Contagious performance: between illness and ambience. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (In Press)
- Walsh, Fintan (2019) Viral Hamlet: history, memory, kinship. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992.
- Walsh, Fintan (2019) Encountering the pose. In: The Last Known Pose: Essays and Reflections on the Works of Qasim Riza Shaheen. Manchester, UK: Cornerhouse Productions. pp. 31-34. ISBN 9780956957160.
- Walsh, Fintan (2017) Disappearing act. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.
- Walsh, Fintan (2017) Gloss to Pablo Helguera's ‘Otto’s Self Board Meeting’. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.
- Walsh, Fintan (2016) On generous performance. In: Heddon, D. and Johnson, D. (eds.) It's All Allowed: The Performances of Adrian Howells. Bristol and London, UK: Intellect Live. ISBN 9781783205899.
- Walsh, Fintan (2016) Queer performance and the drama of disorientation. In: Campbell, A. and Farrier, S. (eds.) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan. pp. 313-329. ISBN 9781137411839.
- Walsh, Fintan (2013) Pride, politics and the right to perform. In: Giffney, N. and Shildrick, M. (eds.) Theory on the Edge: Irish Studies and the Politics of Sexual Difference. Breaking Feminist Waves. Basingstoke, UK: Palgrave Macmillan. pp. 105-124. ISBN 9781137306975.
- Walsh, Fintan and Causey, M. (2013) Introduction: performance, identity and the neo-political subject. In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge. pp. 1-8. ISBN 9780415509657.
- Walsh, Fintan (2013) The matter of queer politics and ethics: Antony Hegarty and "The Crying Light". In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre and Performance Studies. London, UK: Routledge. pp. 213-229. ISBN 9780415509657.
- Walsh, Fintan (2013) Mourning sex: the aesthetics of queer relationality in contemporary film. In: Bracken, C. and Radley, E. (eds.) Viewpoints: Theoretical Perspectives on Irish Visual Texts. Cork, Ireland: Cork University Press. ISBN 9781859184967.
- Walsh, Fintan (2013) The power of the powerless: theatre in turbulent times. In: Walsh, Fintan (ed.) 'That Was Us': Contemporary Irish Theatre and Performance. London, UK: Oberon Books. pp. 1-18. ISBN 9781783190355.
- Walsh, Fintan (2010) The flaming archive. In: Walsh, Fintan (ed.) Queer Notions: New Plays and Performances from Ireland. Cork, Ireland: Cork University Press. pp. 1-16. ISBN 9781859184691.
- Walsh, Fintan (2009) Touching, feeling, cross-dressing: on the affectivity of queer performance. In: Cregan, D. (ed.) Deviant Acts: Essays on Queer Performance. Dublin, UK: Carysfort Press. pp. 55-72. ISBN 9781904505426.
- Walsh, Fintan (2009) Introduction: performance studies and Irish culture. In: Walsh, Fintan and Brady, S. (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke and New York: Palgrave Macmillan. pp. 1-10. ISBN 9780230219984.
- Walsh, Fintan (2009) Homelysexuality and the “beauty” pageant. In: Brady, S. and Walsh, Fintan (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke, UK: Palgrave Macmillan. pp. 196-210. ISBN 9780230219984.
- Walsh, Fintan (2008) Masculinity, victimization and the recuperation of authority in "InterMission". In: Tighe-Mooney, S. and Quinn, D. (eds.) Essays on Irish Literary Criticism: Themes of Gender, Sexuality, and Corporeality. Hors Série. Credigon, Wales: Edwin Mellen. pp. 195-210. ISBN 9780773448308.
- Walsh, Fintan (2006) Bibliography of works of Sebastian Barry and production details of the premieres of Sebastian Barry’s plays. In: Hunt Mahony, C. (ed.) Out of History: Essays on the Writings of Sebastian Barry. Dublin, UK: Carysfort Press. pp. 229-244. ISBN 9780813214597.
- Walsh, Fintan (2006) The law of the father, and of the son, and of the evil queer: (en)gendering violence in 'The Passion of the Christ'. In: Journal of Postgraduate Research. Dublin, Ireland: Trinity College Dublin. pp. 171-174. ISBN 9780955054723.
Editorial
- Walsh, Fintan (2020) Between breaths. Theatre Research International 45 (3), pp. 227-229. Cambridge University Press. ISSN 0307-8833.
- Walsh, Fintan (2020) Climates of denial. Theatre Research International 45 (2), pp. 101-103. Cambridge University Press. ISSN 0307-8833.
- Walsh, Fintan (2020) Wound work. Theatre Research International 45 (1), pp. 1-3. Cambridge University Press. ISSN 0307-8833.
- Walsh, Fintan (2019) Scenes of political crisis. Theatre Research International 44 (3), pp. 227-229. Cambridge University Press. ISSN 0307-8833.
- Walsh, Fintan (2019) Experiments in time. Theatre Research International 44 (2), pp. 115-117. Cambridge University Press. ISSN 0307-8833.
- Walsh, Fintan (2019) On moving and being moved. Theatre Research International 44 (1), pp. 1-5. Cambridge University Press. ISSN 0307-8833.
- Walsh, Fintan and Silverstone, C. (2014) On affirmation. Performance Research 19 (2), pp. 1-3. Taylor and Francis. ISSN 1352-8165.
- Walsh, Fintan (2012) Queer publics, public queers. Performing Ethos: International Journal of Ethics in Theatre and Performance 2 (2), pp. 91-94. Intellect. ISSN 1757-1979.
Other
- Walsh, Fintan (2017) On wounding and winding up. London, UK: CHASE: Gender, Sexuality and Violence Network.
- Walsh, Fintan (2012) Keeping everything completely alive: Corn Exchange's 'Dubliners'. Irish Theatre Magazine
- Walsh, Fintan (2012) ‘To Try for Something Extraordinary.’ [Interview with playwright Ursula Rani Sarma]. Irish Theatre Magazine
- Walsh, Fintan (2012) 'Singing Out Your Feelings.’ [Interview with director Wayne Jordan]. Irish Theatre Magazine
- Walsh, Fintan (2012) "The Transformative Power of Having Fun": alternative Miss Ireland and contemporary Irish theatre. Irish Theatre Magazine
- Walsh, Fintan (2011) Graphic tensions: what posters say about plays. Irish Theatre Magazine
- Walsh, Fintan (2011) ‘I Try to Get Under the Skin.’ [Interview with playwright Nancy Harris]. Irish Theatre Magazine
- Walsh, Fintan (2011) ‘Pan Pan: theatre of ideas.’ [Interview with Gavin Quinn, Co-Artistic Director of Pan Pan Theatre Company]. Irish Theatre Magazine
- Walsh, Fintan (2010) Practicalities and possibilities: reflections on the national networking day for collaborative arts. Create (website) Dublin, Ireland: National Development Agency for Collaborative Arts in Social and Community Contexts.
- Walsh, Fintan (2009) Child’s play: making theatre for young audiences. Irish Theatre Magazine
- Walsh, Fintan (2009) ‘A Vocation and an Addiction.’ [Interview with playwright Phillip McMahon]. Irish Theatre Magazine
- Walsh, Fintan Theatre and performance reviews (750 + words). Irish Theatre Magazine
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Business and community
Business and community
Outreach
In his capacity as Co-Director of Birkbeck Centre for Contemporary Theatre and Director of BiGS, Fintan routinely works directly with artists, activists and academics to engage a range of publics. This takes the form of leading Artist Fellowship and Artist in Association schemes, as well as developing symposia, conferences and workshops.
Fintan has directly organised or co-organised a number of symposia and international conferences at Birkbeck that engage academic, artistic and the public including the Irish Society for Theatre Research's annual conference 'The Irish and the City' in 2013, 'On Going On: Sustaining Life in Theatre' in 2015, Politicians & Other Performers and Theatres of Contagion: Infectious Performance in 2017.
He frequently speaks at international theatre and performance events and symposia, and has presented keynotes, lectures or workshops by invitation at International Federation for Theatre Research, London Theatre Seminar, University of Warwick, the Freud Museum, University of Cambridge, The Courtauld Institute of Art, University of Surrey, University of Reading, Freie Universität Berlin, Queen Mary University of London, Queen's University Belfast, University College Dublin, Brunel, Dublin Theatre Festival, Project Arts Centre, LÓKAL International Theatre Festival, Reykjavik, Arcola Theatre and Synge Summer School, Wicklow.