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I work on eighteenth- and nineteenth-century literature, visual, and material culture. My research defamiliarizes the book as a support for reading, unveiling a range of practices in which reading and writing intersect with practices of viewing and collecting as part of an intermedial poetics that cuts across current disciplines and divisions of knowledge. I am very interested in questions of intermedial translation and adaptation, multisensorial cultural practices, Romantic aesthetics, and critical disciplinarity. Thinking about practices of composition that connect the page to the gallery wall, the imaginary museum and the museum of words, my work offers new interpretations of William Blake, Henry Fuseli, Leigh Hunt, Charles Lamb, and John Milton, among others.

On the visual culture of reading and the emergence of exhibitions, I have published Henry Fuseli’s Milton Gallery: ‘Turning Readers into Spectators’ (Oxford University Press, 2006); 'Leigh Hunt's Paper Gallery: Reading Spenser through the Old Masters in 1833 and 1844', La Questione Romantica (2013); and  '"A Gallery in the Mind': William Hazlitt, Edmund Spenser, and the Old Masters', Tate Papers, 24 (Autumn 2015).

On reading and intermediality, I have co-edited Dante on View: The Reception of Dante in the Visual and Performing Arts (Ashgate 2007), which contains my essay on Tom Phillips and Peter Greenaway’s Dante, a special issue of 19 on print culture, and Illustrations, Optics and Objects in 19C Literary and Visual Culture (Palgrave 2010).

My current project, entitled ‘The Book Unbound’ explores practices of reading and collecting that question, subvert, or dismantle the book as a cultural form, including Walpole, Blake, and Dickens, from extra-illustration to artists' books. On this project I have published:

On Romantic disorder and the imaginative possibilities of ‘predisciplinarity’, I co-organized an international research network on 'The Disorder of Things: Predisciplinarity and the Divisions of Knowledge, 1660-1850', with Adriana Craciun (Univ. of California, Riverside). Events related to this network include Romantic Disorder: Predisciplinarity and the Divisions of Knowledge 1750-1850 (London, 18-20 June 2008), 'The Disorder of Things: Predisciplinarity After Foucault' (24 Oct 2009), 'The Oceanic Turn' (Riverside); 'Curious Specimens' (V&A 15-17 April 2010), 'Order's Other Histories: Re-visitng South America' (Autumn 2010), and 'Inscriptions: The Material Contours of Knowledge' (10-11 March 2011).

  • To read more about this project, see the special issue we guest-edited: ‘The Disorder of Things’, Eighteenth-Century Studies, 45: 1 (2011).

I am also interested in the material culture of Romanticism at the fin de siècle.  Building on the conference Romanticism at the Fin de Siècle (Oxford, 14-15 June 2013), Stefano Evangelista and I have co-edited a special issue on 'Literature and Sculpture at the Fin de Siècle', Word and Image, 34:1 (2018), which includes our essay on the Oxford Shelley Memorial. My next foray in this area is an essay on Pater and Blake.