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Parallel Panels 3
Saturday 24 June, 11.30-1.00
Panel 3a: Caricature and Satire (abstracts)
Susan M. Canning (College of New Rochelle), 'Doctrinaire Nourishment: James Ensor's Textual Strategies of Subversion'
Gerry Beegan (Rutgers University), 'Exchanges and Doubletakes: Text and Image Relationships in the Social Caricature of the 1890s'
Gareth Cordery (University of Canterbury, NZ): 'The Verbal and the Visual in Late Nineteenth-Century Politics: Harry Furniss's "The Humours of Parliament"'
Panel 3b: Visuality in the Novel (abstracts)
Vicky Mills (Birkbeck, University of London), 'Dandyism, Visuality and the "Camp Gem": Depictions of Jewels in Huysmans and Wilde'
Heather Tilley (Birkbeck, University of London), '"... a Power of Vision": Charlotte Bronte and the Blind Writer'
Catherine Maxwell (Queen Mary, University of London), 'Theodore Watts-Dunton's Aylwin and the Reduplications of Romanticism'
Panel 3c: Optical Technologies 2 (abstracts)
John Plunkett (University of Exeter), 'Moving Books, Moving Images: Optical Recreations and Print Media'
Susan Zieger (University of California, Riverside), 'Victorian Hallucinogenic Visuality: From Print Culture to Cinema'
Keith Williams (University of Dundee), 'Realist of the Fantastic: H.G. Wells, Modernity and the Movies'