Dr Rui Lopes
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Overview
Overview
Biography
I am a historian who specialises in contemporary history, particularly on Cold War visual culture, transnational anticolonialism, and the international dimension of the Portuguese dictatorship and empire.
I have a PhD in International History from the London School of Economics and Political Science (LSE) and I am a researcher at the Institute of Contemporary History, NOVA-FCSH, in Lisbon. Before joining Birkbeck, I taught at the LSE and at Goldsmiths, University of London. I was managing editor for the journal Cold War History and I am currently an active member of the editorial boards of the journals Práticas da História: Journal on Theory, Historiography and Uses of the Past and Aniki: Portuguese Journal of the Moving Image. I have also been a screenwriter for television.
Highlights
'Visualising the Cold War: Transnational production and circulation of visual spy fiction, 1960s-80s' (2022-2028) - individual project focusing on the articulation between spy films, TV series, and comic books and the evolving images of the Cold War.
'Censorship(s):an analytic model of censorial processes' (2022-2023) - co-PI of team project developing new approaches to the study of modern logics and methods of censorship.
'Lusophone Africa and the Global Cold War: New International and Regional Perspectives' (2022) - co-host of online seminar series discussing the interplay between ideologies of liberation in the former Portuguese colonies and the Cold War in the 1960s and early 1970s.
'Amílcar Cabral, from political history to the politics of memory' (2016-2019) - Principal Investigator of team project researching the circulation and legacy of the ideas of Amílcar Cabral, head of the anticolonial struggle of Guinea-Bissau and Cape Verde.
'The Portuguese dictatorship and colonialism in western audiovisual fiction, 1933-1974' (2016-2021) - individual research project focused on the depictions of Portugal's 'Estado Novo' regime and its colonies by cinema and television produced in France, Italy, UK, USA, and West Germany.
ORCID
0000-0002-8894-9733 -
Research
Research
Research interests
- Cold War & Popular Culture (esp. cinema, television, comics)
- Relations between European liberal and iliberal regimes after World War II
- African anticolonialism in 1960s-1970s
- Foreign relations of Portugal's 'Estado Novo' dictatorship
Research overview
Monographs
West Germany and the Portuguese Dictatorship, 1968-1974: Between Cold War and Colonialism, Palgrave Macmillan, 2014.
Peer-reviewed chapters
'From Caligari to Wertham: When EC’s Horror Comics Feared for Their Own Survival', in John Darowski and Fernando Gabriel Pagnoni Berns (eds), Critical Approaches to Horror Comic Books: Red Ink in the Gutter, Routledge, 2022.
‘Iconic City Thrillers: Encoding Geopolitics Through Cinema’, in Erica van Boven and Marieke Winkler (eds), The Construction and Dynamics of Cultural Icons, Amsterdam University Press, 2021, 111-128.
‘The US and Portuguese Colonialism as Imagined through Television Drama’, in Maria do Carmo Piçarra and Teresa Castro (eds), (Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire, Peter Lang, 2017, pp.131-149.Peer-reviewed articles
'The Eurospy boom and the evolution of Europe’s transnational identity', Intelligence and National Security (2022).
‘Retconning the History of Covert Operations: Spy Comics at the End of the Cold War’, Cold War History, 22:2 (2022), 215-236.
‘Jogo e conspiração em Hollywood: o Portugal que não foi’, Aniki: Portuguese Journal of the Moving Image, 6:1 (2019), 3-31.
‘‘must we all remain helpless?’: Superman vs. the Nuclear Threat in the Late Cold War’, ImageText, 10:2 (2019).
‘Fado and Fatima: Salazar’s Portugal in US Film Fiction’, Film History, 29:3 (2017), 52-75.
'An Oasis in Europe: Hollywood Depictions of Portugal during the Second World War', Journal of Contemporary History, 52:2 (2017), 375-398.
‘’A fabulous speck on the Earth’s surface’: Depictions of colonial Macao in 1950s’ Hollywood’, Portuguese Studies, 32:1 (2016), 72-87.
'Accommodating and Confronting the Portuguese Dictatorship within NATO, 1970–4', The International History Review, 38:3 (2016), 505-526.
Special Dossier
co-organised with Víctor Barros, ‘Amílcar Cabral and the Liberation of Guinea-Bissau and Cape Verde: International, Transnational, and Global Dimensions’, The International History Review, 42:6 (2020).
Research Centres and Institutes
- researcher, Instituto de História Contemporânea, NOVA-FCSH