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Positions held:
Professor of Film Studies,
School of Creative Arts, Culture and Communication
Research
Research
Research interests
Rethinking feminist film theory. Theories of technology and aspects of technological change in film and television. The aesthetics of stillness in the moving image: avant-garde and fiction. The 'new woman' and the cinema in the late 1920s. Melodrama and world cinema.
Supervision and teaching
Supervision and teaching
Publications
Publications
Article
Mulvey, Laura
(2017)
Thoughts on Marilyn Monroe: emblem and allegory .
Screen
58
(2),
pp. 202-209.
ISSN 0036-9543.
Mulvey, Laura
(2015)
Cinematic gesture: the ghost in the machine .
Journal for Cultural Research
19
(1),
pp. 6-14.
ISSN 1479-7585.
Mulvey, Laura
(2009)
Mark Lewis .
Modern painters
21
(4),
pp. 60-65.
ISSN 0953-6698.
Mulvey, Laura
(2009)
Some reflections on the cinephilia question .
Framework: The Journal of Cinema and Media
50
(1-2),
pp. 190-193.
ISSN 0306-7661.
Mulvey, Laura
(2007)
Repetition and return: the spectator's memory in Abbas Kiarostami’s 'Koker Trilogy' .
Third Text
21
(1),
pp. 19-29.
ISSN 0952-8822.
Mulvey, Laura
(2007)
A sudden gust of wind (after Hokusai): from after to before the photograph .
Oxford Art Journal
30
(1),
pp. 27-37.
ISSN 0142-6540.
Mulvey, Laura
(2004)
Passing time: reflections on cinema from a new technological age .
Screen
45
(2),
pp. 142-155.
ISSN 0036-9543.
Mulvey, Laura
(2003)
Jill Forbes's Les Enfants du paradis .
French Cultural Studies
14
(3),
pp. 278-287.
ISSN 0957-1558.
Mulvey, Laura
(2002)
Detail, digression and death: the movies in Chris Petit's film 'Negative Space' .
Afterall
5,
ISSN 1465-4253.
Mulvey, Laura
(2001)
Death drives: Hitchcock's 'Psycho' .
Film Studies
2,
ISSN 1469-0314.
Mulvey, Laura
(2001)
The problem of America: the problem of sound .
Critical Quarterly
43
(3),
pp. 3-8.
ISSN 0011-1562.
Mulvey, Laura
(2000)
Death 24X a second .
Coil
9/10,
Book
Mulvey, Laura
(2019)
Afterimages: on cinema, women and changing times
Clayton, S. and Mulvey, Laura, eds.
(2017)
Other cinemas: politics, culture and experimental cinema in 1970s Britain
MacCabe, Colin and Mulvey, Laura, eds.
(2012)
Godard's contempt: essays from The London Consortium
Mulvey, Laura
(2009)
Visual and other pleasures (2nd Edition)
Mulvey, Laura and Sexton, J., eds.
(2007)
British experimental television
Mulvey, Laura
(2006)
Death 24x a second: stillness and the moving image
Mulvey, Laura
(1996)
Fetishism and curiosity
Mulvey, Laura
(1992)
Citizen Kane
Halliday, J. and Mulvey, Laura, eds.
(1972)
Douglas Sirk
Mulvey, Laura
Les premiers quartres plans d'Imitation of life
Book Section
Mulvey, Laura
(2018)
‘She was the most beautiful creature I ever saw’: visualising replacement in Hitchcock’s Rebecca .
In: Owen, Jean and Segal, Naomi (eds.)
On Replacement .
Basingstoke, UK: Palgrave Macmillan.
pp. 169-175.
ISBN 9783319760100.
Mulvey, Laura
(2012)
Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a "fabric of quotations" .
In: MacCabe, Colin and Mulvey, Laura (eds.)
Godard's Contempt: Essays From The London Consortium .
Critical Quarterly.
Hoboken, U.S.: Wiley.
pp. 225-237.
ISBN 9781444339314.
Mulvey, Laura
(2011)
Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929) .
In: Labanyi, J. and Passerini, L. and Diehl, K. (eds.)
Europe and Love in Cinema .
Bristol, UK: Intellect Ltd..
pp. 87-100.
ISBN 9781841503790.
Mulvey, Laura
(2011)
Rear projection and the paradoxes of Hollywood realism .
In: Nagib, L. and Perriam, C. and Dudrah, R. (eds.)
Theorizing World Cinema .
Tauris World Cinema Series.
London, UK: I.B. Tauris.
pp. 207-220.
ISBN 9781848854925.
Mulvey, Laura
(2011)
Max Ophuls's auteurist adaptations .
In: MacCabe, Colin and Murray, K. and Warner, R. (eds.)
True to the Spirit: Film Adaptation and the Question of Fidelity .
Oxford, UK: Oxford University Press.
pp. 75-89.
ISBN 9780195374667.
Mulvey, Laura
(2010)
Foreword .
In: Laviosa, F. (ed.)
Visions of Struggle in Women's Filmmaking in the Mediterranean .
Comparative Feminist Studies.
Basingstoke, UK: Palgrave Macmillan.
pp. xv-xvx.
ISBN 9780230617360.
Mulvey, Laura
(2010)
Cinema, synch sound and Europe 1929: reflections on coincidence .
In: Sider, L. and Freeman, D. and Sider, J. (eds.)
Soundscapes: The School of Sound Lectures 1998-2001 .
London, UK: Wallflower Press.
ISBN 9780956563903.
Mulvey, Laura
(2007)
Compilation film as 'deferred action': Vincent Monnikendam's Mother Dao, the turtle-like .
In: Sabbadini, A. (ed.)
Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema .
The New Library of Psychoanalysis.
Abingdon, UK: Routledge.
ISBN 9780415428170.
Mulvey, Laura
(2007)
Fantasmagorie du corps féminin .
In:
Cindy Sherman .
Paris, France: Flammarion.
ISBN 9782080115805.
Mulvey, Laura
(2005)
Alan Jones .
In: Francis, M. and Foster, H. (eds.)
Pop .
London, UK: Phaidon.
ISBN 9780714856636.
Mulvey, Laura
(2004)
Death drives .
In: Allen, R. and Ishi-Gonzales, S. (eds.)
Hitchcock: Past and Future .
Abingdon, UK: Routledge.
ISBN 9780415275262.
Mulvey, Laura
(2003)
Death 24X a second: the inorganic body and the cinema .
In: Sheehan, P. (ed.)
Becoming Human: New Perspectives on the Inhuman Condition .
Santa Barbara, California, USA: Praeger.
ISBN 9780275978990.
Mulvey, Laura
(2003)
Foreword .
In: Sabbadini, A. (ed.)
The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema .
Abingdon, UK: Routledge.
ISBN 9781583919521.
Mulvey, Laura
(2003)
Then and now: cinema as history in the light of new media and new technologies .
In: Nagib, L. (ed.)
The New Brazilian Cinema .
London, UK: I.B.Tauris.
ISBN 9781860649288.
Mulvey, Laura
(2003)
The 'pensive spectator' revisited: time and its passing in the still and moving image .
In: Green, D. (ed.)
Where is the Photograph? .
Brighton, UK: Photoforum.
ISBN 9781903796085.
Mulvey, Laura
(2003)
The 'pensive spectator' revisited: time and its passing in the still and moving image .
In: Büchler, P. and Leighton, T. (eds.)
Saving the Image: Art After Film .
Manchester, UK: Cornerhouse Publications.
ISBN 9781873331248.
Mulvey, Laura
(2002)
Afterword .
In: Tapper, R. (ed.)
The New Iranian Cinema: Politics, Representation and Identity .
London, UK: I.B Tauris.
ISBN 9781860648045.
Mulvey, Laura
(2001)
Den blick demaskieren: Hollywood-kino, weiblisches publikum und konsumkultur .
In: Schenk, I. (ed.)
Erlebnisort Kino .
Bremen, Germany: Schüren Verlag.
ISBN 9783894723200.
Mulvey, Laura
(2001)
Vesuvian topographies: the eruption of the past in journey to Italy .
In: Nowell-Smith, G. and Lutton, S. and Forgacs, D. (eds.)
Roberto Rossellini: Magician of the Real .
London, UK: The British Film Institute.
ISBN 9780851707952.
Mulvey, Laura
(2001)
The index and the uncanny .
In: Gill, C. and Matthews, T. (eds.)
Time and the Image .
Critical Perspectives in Art History.
Manchester, UK: Manchester University Press.
ISBN 9780719058134.