On a grey Monday evening in December, a small group was treated to a private tour of the warmth and colour of Gainsborough’s Family Album, the latest show at the National Portrait Gallery. Including paintings never seen in public before, the exhibition includes almost all of Gainsborough’s paintings of members of his family.
Dr Lucy Peltz, an Honorary Research Fellow at Birkbeck and curator of the show alongside David Solkin, guided us through the different rooms of the exhibition with an illuminating commentary on the paintings and their sitters. Lucy also discussed the work involved behind the scenes, with considerations ranging from the different possibilities for arranging the paintings to the selection of wall colours, and the considerable work involved in arranging loans. Despite six years of planning, last-minute adjustments still had to be made when a painting of Gainsborough’s wife Margaret – first sought years earlier – surfaced just weeks before the show opened.