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Mechanics' Institute Review

MIR Issue 2 - First Words and Authors

Me and The Stallion, we're ten metres up with the whole world watching. — Bond Is Back by Harry Whitehead

They gave me one phone call today because it's Saturday so I called his house. — Stiff Little Houses by Laura Weinert

Ebo put a dog-eared copy of Ngugi's Petals of Blood on his belly and closed his eyes. — Dreaming of Dee Dee by Nii Ayikwei Parkes

On their wedding day, Stella's husband tried to sell her a Slimquick programme. — On Their Wedding Day by Nicola Field

I have been at Bellavue for a few months now. I can't say how many exactly, as the days all seem to merge into one. — Time Immemorial by Niki Aguirre

The music's back again. I watched a war movie yesterday and now I've got the RAF March Past in stereo. — Three Cheers For The Paradise Engineers by Gail Campbell

The sun loomed above the cement blocks of the city, a bully in an empty playground having now, at noon, chased away all shadows. — Coiled by Mihaela Nicolescu

Annie wants another baby. Lottie, her daughter, is such a happy, easy child, and so desperate for a sibling, it seems churlish to put it off any longer. — Seven Degrees Hotter by Vittorio D'Alessio

Jules was sitting on a number 12 bus on her way to see Emmanuel. — Public Intimacy by Rebekah Lattin-Rawstrone

I never watched the credits at the end of movies until I moved away from Hollywood. — 21 People I Hate by Alison Heathwood McCormack

The sun presses hot on my skin. I hope my cheeks aren't burning - Lee might think I'm blushing. — Skin by Caroline Annis

I was always looking out for Eugene. He was only five years old. — Looking Out For Eugene by Sara Macintosh

Gemini shivered as she pressed herself against a shop window, out of the general mêlée. — Stamp by Patti Webb

Pink ice slid down the glass and settled at the ridge where the window met the doorframe, then bulged over and slipped down the car door. — The Butcher's Widow by Sam Hudson

Yuri looked at Jim's bloodshot eyes, dirty uncombed hair and unshaven face, and turned his head to one side as Jim leaned forward to hand him a cup of coffee. — Materiality by Rowena Dunn

'God, Jamie, I'm really sorry, mate.' He is sitting at the kitchen table, doubled up and clutching his knees, rocking himself and sobbing. — Measuring Up by Nina Robertson

This is what it has come to: I stand at four-way intersections thinking about what it would take to win myself a long-term stay in the hospital. — Vital Signs by Katie Morris

I step inside the house and the storm door slams behind me, its wire rattling against the frame. — Faded Colours And Rat Edges by Allia Oswald

Mammy'll take to me with a wooden spoon if she catches me up in the attic. — Mount Pleasant by Mary-Louise Buxton

There was no way he was going to make it through the rest of the day in these shoes. — Coral Reef Romper by Frances Merivale

Dean is in Paris with his mother. He wants time and space to think about things, which is fine by me, because I need time and space, too. — The Things You Say When You Say Goodbye Forever by Shaun Levin

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MIR Issue 2 - Authors

Niki Aguirre was born in Chicago and has lived in the USA, South America and Spain. She currently works as a web editor for local government and lives in South London. Niki has written a collection of short stories and is working on her first novel about a family of storytellers who suffer from wanderlust.

Caroline Annis grew up in Cleethorpes on the breezy Lincolnshire coast and, although she now lives in London, she can still feel the wind in her hair. She works as a freelance consultant specializing in digital television. As well as writing short stories, Caroline is currently writing her first novel.

Mary-Louise Buxton was born on the Isle of Man in 1982. After completing her Bachelor’s degree in the UK, she was awarded the 2003 Ella Olesen Scholarship to study at the University of Idaho, USA. She is now based in London. 'Mount Pleasant' is her first published piece.

Gail Campbell worked in investment banking for over twenty years and travelled extensively in North and South America and Asia. She was runner-up in the Bloomsbury New Voices short story competition in 2001. She lives in London with her husband Nick, their pug Jeeves, and tortoise Archie.

Vittorio D’Alessio has worked in London, Hong Kong and Sydney as a features writer and agony aunt, contributing to women's magazines, newspapers and websites. She has been health editor of British Marie Claire and has written a book, The Allergy-Free Home. In 1998 she won an Amnesty International Press Award. She is currently working on her first novel.

Rowena Dunn has spent her career working in the tax departments of a variety of commercial organizations, including a stint in Moscow training young Russian tax consultants. She likes to write about the incongruous.

Nicola Field published her book, Over the Rainbow, in 1995 and has since divided her time between arts journalism, community work, writing stories, performing poetry and (once) standing as Socialist Alliance candidate for Southwark council. Her novel in progress, And Some Will Go to Hell, is a story of family breakdown and domestic hysteria, told from the point of view of a child.

Sam Hudson is currently working on a collection of short stories. She was born in Australia in 1970. This is her second time at Birkbeck having graduated in 1996 with an MA in Gender, Society and Culture. She combines writing with working in the NHS and lives in Surrey with her husband and son.

Rebekah Lattin-Rawstrone won the Promis Prize for young writers in the London Writers Competition 2002, and received a Graham Greene Birthplace Trust Award in 2004 to help complete her novel Correspondance, which she is currently revising. Rebekah is also the co-founder of Tales of the DeCongested, a monthly reading event set up to raise the profile of the short story and provide a platform for new writing.

Shaun Levin's novella, Seven Sweet Things, was published in 2003. His short stories appear in over thirty anthologies. He has been writer-in-residence in a school, a theatre, and a bookshop. He received an Arts Council of England Writers' Award in 2004, and is the editor of Chroma, a literary journal. His collection of short stories, A Year of Two Summers, will be out in 2005.

Sara Macintosh originally from British Columbia, Canada, came to live and study in London in 1979 and eventually found her way into the UK music industry. She lives in West London with her partner and their young son.

Alison Heathwood McCormack is a creative writing Master’s student at Birkbeck. Originally from New England, she has spent the last seven years working as a location manager for film and television in Hollywood. She is a graduate of Northwestern University in Chicago.

Frances Merivale was born in London and began writing seriously while teaching English in Ghana. Having travelled widely, she has now settled in London where she works as a fund-raiser for UNICEF. She has published two short stories and one travel article, as well as much professional writing for the overseas development sector. Her first novel, The Lost Collectors, is about a stalker's obsession with a lonely fantasist. Frances is now working on her second novel.

Katie Morris is an American writer living in London. 'Vital Signs' is an extract from her novel in progress, The Things We Cling To.

Mihaela Nicolescu was born in Romania, brought up in Sweden, and now lives and writes in London. She has published a few short stories in magazines and was awarded the Promis Prize for young writers in the 2003 London Writers Competition. At the moment she is working freelance and also writing her first novel.

Allia Oswald was born in North London of Caribbean descent. She is fascinated by the rhythm of dialect and is currently working on a play called Two Berry Place, a comedy about an Englishman who relocates to Jamaica only to find that an old woman has staked a claim on his land.

Nii Ayikwei Parkes grew up in Ghana and worked as a food technologist before becoming a full-time performance poet. Co-founder of the Tell Tales short story initiative, his oeuvre includes the books eyes of a boy, lips of a man and M is for Madrigal, and Incredible Blues, a CD. He received a 2003 Arts Council Award for his recently completed novel The Cost of Red Eyes and is currently an associate writer-in-residence at the BBC.

Nina Robertson lives in Norfolk and London. She is writing a novel set in eighteenth century New England. She has read her work at Tales of the DeCongested.

Patti Webb's extract is from her novel, Stamp. The themes are poverty, addiction and crime. Patti's previous jobs include: fire-eater, sword-walker, cleaner, entertainment agent, festival producer, magician, street performer, teacher, motorcycle courier, painter and decorator, living statue, street-theatre director, go-go dancer, hostess, tap dancer, puppeteer, receptionist, mask maker.

Laura Weinert is a writer, journalist and theatre critic from Los Angeles. She has written for the Los Angeles Times, the LA Weekly, and Back Stage West. As a member of InsideOut Writers, she has also taught creative writing to young students at LA’s Central Juvenile Hall.

Harry Whitehead works in the film and television business. He has published poetry, academic articles on anthropology, and he has a book on Nepalese tantric art coming out in 2006. He lived for four years in Far East Asia and is writing a novel about Tommy.

 

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