- Info
Publications
Books
- Louise is currently working on a monograph about performance and neoliberalization in Britain.
Book chapters
- 'London Bubble', in Community Theatre Matters, ed. by Caoimhe McAvinchey (forthcoming)
- ‘‘Places, like property prices, go up and down’: site-specificity, regeneration and The Margate Exodus’, in Performing Site Specific Theatre: Politics, Place, Practice, ed. by Joanne Tompkins and Anna Birch (under contract)
Journal articles
- '"Work That Body": Precarity and Femininity in the New Economy', TDR: the Drama Review: On Precarity (forthcoming)
- 'Audio Obscura, or, 'Dread in the Fallen City'', frakcija: to be moved, 58-59 (2012): 118-123.
- ‘’Identity correction’: the Yes Men and acts of ‘discursive leverage’’, Performance Research, 16, 2 (2011): 28-36.
- ‘‘In tune with the beat of where they are’: the AfroReggae UK Partnership in 2007’, PPP Research Bulletin, Issue 4 (2008): 1-14
- ‘The Gathering’, MAILOUT (Summer 2005): 15-16
- ‘The Making of GEORGE’, Drama: the Journal for National Drama (Winter 2004): 43-47
Other publications
- ‘Review: Get Real: Documentary Theatre Past and Present, eds. Alison Forsyth and Chris Megson’, Contemporary Theatre Review (forthcoming)
- ‘Review: Theatre and Performance Research Association (TaPRA) conference 2007’ (co-authored with Joel Anderson), Research in Drama Education: the Journal of Applied Theatre and Performance, 13, 1 (2008): 125-126
- ‘Review: The Community Performance Reader, eds. Petra Kuppers and Gwen Robertson & Kuppers, Petra, Community Performance: an Introduction’, Contemporary Theatre Review, 17, 4 (2007): 582-583
- ‘Participating in The Margate Exodus’: evaluation report for Artangel, September 2007 (submitted to Arts Council England)
- ‘Can Culture Be Our Weapon?’: transcription and report for Barbican Education 2007 (unpublished)
- ‘The Contribution of Universities to the Arts Sector: round table discussion’ (London: LCACE/QMUL/PPP 2007)
- ‘Review: A Boal Companion: Dialogues in Theatre and Cultural Politics, eds. Jan Cohen-Cruz and Mady Schutzman’, Contemporary Theatre Review, 17, 1 (2007): 111-113
