Professor Anthony Shelton
Thursday 21 May 2015, 6pm, Room G01, School of Arts, Birkbeck, University of London, 43 Gordon Square, London WC1H 0PD
Between the 1920s-1950s, rural popular art became an important part of the government-sponsored re-creation of Portuguese national identity and history. Books and articles were written about popular art, films were produced on it and domestic and international exhibitions displayed it, creating a particularly Portuguese ‘taste’ that hid the dire conditions of poverty, suffering, and illiteracy that characterized many of its rural provinces. Sixty-five years later, UBC MOA (Museum of Anthropology) will open a major exhibition on Portuguese popular art. This talk will discuss the complex mixture of ideologies and philosophies, which underlie the representation of popular art and national identity during the dictatorship (Estado Novo), its re-accommodation after the establishment of democracy in 1974, and the challenges of curating an exhibition that deals with historical imaginations.
Anthony Shelton is Director of the Museum of Anthropology and Professor of Anthropology at the University of British Columbia. Prof. Shelton specializes in critical museology and heritage studies, the anthropology of art and aesthetics, and Latin American and European visual cultures. He has over 150 publications including Art, Anthropology and Aesthetics (with J. Coote. 1992) and Heaven, Hell and Somewhere In-Between. Portuguese Popular Art and Culture (2015), and is currently working on a volume on critical museology.
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