Birkbeck Interdisciplinary Research in Media and Culture


December 2014

Matthew Barrington | How Does the Emergence of Slow Cinema Force a Renegotiation Between Our Understandings of Digital and Celluloid Film and the Spaces of the Gallery and the Cinema?

At the turn of century, coinciding with the increasing preference for digital cinematic tools over celluloid, emerged a trend within art cinema for films that focus¬†on mood and contemplation. Films that¬†downplay spectacle in favour of creating a different kind of… Continue Reading →

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